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Submitted on
November 3, 2012
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GND205 - Not-Pocket Monsters by Pika-la-Cynique GND205 - Not-Pocket Monsters by Pika-la-Cynique
In which Toby devises quite a cunning plan to get what he needs to hang out with the cool kids and their mons.

(Step one, distract Karen/keep her busy. Step two, acquire address and phone book from mum's strictly out-of-bounds study. Step three, find Sarah's number, backing up hesitant 5-year-old reading skills with a birthday card signed by sister to compare letters and identify her name. Step four, make call to cool big sis in secret from mum who doesn't like you talking about monsters and goblins. Result: Get to borrow cool big sis' giant shaggy monster friend to show other kids on the playground.)

(Yeahh. I had a late, and a bit of a hurry.)

One possible plot point to take away from all this: Ludo won't be around for the girls' Labyrinth run.


Oh gosh so many credits.
Any recognizable creature or character featured here not mine.

Toby, Ludo, Sarah, Karen, Merlin the sheepdog [from 'Labyrinth'] (c) Lucas, Froud, Henson; Connelly&Bowie
Kipper and Sarge are mine
Totoro and Mei ['Tonari no Totoro'] (c) Ghibli
Sully and Boo ['Monsters Inc'] (c) Pixar
Lilo and Stitch (c) Disney and Chris Sanders
Calvin and Hobbes (c) Bill Watterson
Max and a Wild Thing (c) Maurice Sendak
Bastian Balthazar Bux and Falkor from 'The Neverending Story' originally by Michael Ende.
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that is so cute!
Kyuohki Featured By Owner Jul 18, 2014  Hobbyist Digital Artist
Actually, I have a feeling that Calvin and Lilo would get along rather well (after the initial fight, of course...)
Pika-la-Cynique Featured By Owner Jul 22, 2014  Professional General Artist
Yeah, me too.
LaLadayCavalier Featured By Owner Jun 6, 2014  Student
HOHMAHGERSH HERBERBLE FLURBE Ahhhhh there's Totoro and Mei and Lilo and Stitch and Hobbes and Calvin and *swoons*
:retarded-clap:  Mind. Blown.
And kudos on aaaall the proper copywriting you do. Did. Done. Well done, Mlle. Pika. Well done.
DarkHoodAssassins Featured By Owner May 19, 2014  Student
Love this ! ^^
ghoulsville Featured By Owner May 4, 2014
;w; suuuch an adorable addition to the crossover-sphere!
LilMissPeppy Featured By Owner Apr 25, 2014  Student Digital Artist
Nickelodeon needs to make a cameo and fast.
Sirifel Featured By Owner Mar 26, 2014  Hobbyist Traditional Artist
eeeeeee Falkor and Bastian~!

that is all.
Hawkheart29 Featured By Owner Mar 14, 2014  Hobbyist General Artist
Calvin and Hobbes! :heart: And Totoro!
Igenlode Featured By Owner Nov 22, 2013  Student Traditional Artist
Finally got "Labyrinth" on a couple of days' hire from a distant library, for the princely sum of one pound ten pence... so now I'm free to continue on with the Lovegood and Williams expedition for their return trip!

And now I finally understand the meaning of "call rocks" here...  I was also very surprised to discover that Ludo is actually bipedal, an element which somehow I'd never grasped. (And your Toby succeeds in looking amazingly like the baby in the film, which I wouldn't have thought a possible achievement given a child of that age :D)

I'm afraid I didn't manage to notice any glitter-poofing (or even any glitter to speak of) in the film, which may be due to the quality of the home video recording (I think someone else mentioned this); I also missed out on the astonishing Package and the tight trousers -- in fact, the Goblin King seemed to be shown from the waist upwards most of the times that I noticed, presumably not due to censorship -- although this may have been a consequence of lack of the appropriate hormone flow ;) Either that, or I was mesmerised by the eyebrows...

I liked it. After the fandom build-up, I did expect the whole "my will is as strong as yours and my kingdom as great" declaration to be, well, bigger -- it's almost stumbled through -- but from the very first scenes it's clear that it's a clever, economic script (look at the amount of backstory that's conveyed in that one brief scene with the parents), and as 1980s fantasy movies go it's a lot less unconvincing than most, possibly because it's not trying to do the whole Ye Olde Muddy Peasant Realism thing. (I blame Monty Python for that particular trope.)

And I particularly liked the way that the film didn't go for the moral that it looked as if it was inevitably preparing to deliver to the target audience -- that we all have to grow up and stop clinging to fantasy and childish things. Instead of ending on Sarah giving away her toys and shutting her old treasures in a drawer to welcome her parents back home, it chooses to climax with a wild fantastical party :D

The amount of love and labour that went into the puppetry, as discussed in the Making Of documentary that accompanied the film, I found painfully poignant, given the way that people just throw computer simulations at that sort of effect today. Ironically the only actual 'greenscreen' effect -- the Fireys -- was the only one (save for the owl in the titles) that came out looking fake; the version shot against black velvet looks better than the composite with the background put in.
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